![]() ![]() This article by Lisa Vogt, a Washington-born and Tokyo-based photographer, originally appeared in the April 5 issue of Asahi Weekly. (EPSON teamLab Borderless is currently closed to prevent the spread of the new coronavirus.) Experience borderlessness rendered by AI in real time. The fish, leaving trails of light in their path, make the viewer “become” the light, freely soaring about as a different entity.Īs in the real world, there’s only "ichi-go-ichi-e" and no animated loops. Schools of fish swim through the net, dissolving our bodies and removing boundaries, making us a part of the work. The Floating Nest is viewed lying on our backs on a huge net suspended in space. Butterflies come where lots of flowers bloom, and when crows appear or heavy rain pours, the petals scatter, and the flower is no more. If people stay to watch, they can see flowers grow and bloom magnificently, which die if touched or stepped on. Then, her creation magically started swimming along with other creatures on the giant blue aquarium wall! The little girl squealed with delight as she chased her seahorse.Īt Forest of Flowers and People, the cycle of buds growing, flowers blossoming, and petals withering and then fading away repeats itself. One girl who looked to be about 6 years old drew a yellow seahorse and took it to the attendant, who scanned the paper. For example, at the Sketch Aquarium, people draw a sea creature on a sheet of paper using crayons. Interactive digital installations make you part of the exhibition. Then revisit this article, and you’ll understand what I’m talking about. I’m afraid I’ve lost some people reading this column. EPSON teamLab Borderless is a collection of digital artworks that “interweave without boundaries” in a vast 10,000-square-meter space.Īrmchair reading about this place can give you a vague sense of it, but cerebral activity processing spatial information that is always moving about is a different school of fish. And even a hermit must eat and drink to survive, hence must merge with something outside, blurring the borders between their quintessential self.Ī museum like no other exists on the second floor of Palette Town in Odaiba, next to the Ferris wheel. ![]() The smallest subatomic particle that we can imagine is pushed and pulled from some force around it that allows it to exist. We, as physical beings, form relationships, communicate and shape ourselves as we live our lives. They overlap, run into and influence one another. In our dreams and minds, thoughts are enigmatic. My dictionary defines the term as “lacking edges, limits or boundaries.” The collection also contains notable works of early Buddhist and Shinto art.Borderless? A loaded word these days. Its selection of folding screen paintings covers many of the major genres, from bird-and-flower compositions to festival scenes, and includes examples by artists such as Sesson Shukei (c. The Japanese calligraphy and painting collection is impressive in its breadth, from sacred texts executed in silver and gold characters on dyed paper to expansive ink-painted vistas once intended for sliding door panels. Today, the museum’s Japanese collection comprises some 1,950 works spanning a period of approximately 5,000 years and includes masterworks of painting, sculpture, and prints, as well as ceramics, metalwork, and other decorative arts. In 1916, when the Cleveland Museum of Art’s first building opened, its holdings in Japanese art already included some noteworthy Japanese woodblock prints designed by print world luminaries such as Okumura Masanobu (1686–1764) and Kitagawa Utamaro (1754–1806). The Cleveland Museum of Art’s collection of Japanese art is one of the most distinguished collections outside of Japan. ![]()
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